October 17, 2026

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Scarlett Johansson Leads a Starry ‘Paper Tiger’ Premiere as NYFF Opens in Style

Scarlett Johansson

Photo: Cpl. Dary M Patten via Wikimedia Commons (Public domain)

The 2026 New York Film Festival got underway in proper fashion on Friday night, with Scarlett Johansson, Adam Driver, and Miles Teller hitting the red carpet for the opening night premiere of Paper Tiger, James Gray’s latest crime drama. And honestly? It felt like the kind of old-school movie-star evening the festival circuit was built for.

The trio arrived at the Film Society of Lincoln Center’s Walter Reade Theater for the premiere, and the whole thing had the energy of a real event, not one of those lukewarm industry screenings where everyone’s checking their phone. This was opening night. The photographers were out in force, the crowd was buzzing, and the film’s three leads all brought their A-game on the carpet.

Johansson, as you might expect, was the undisputed center of attention. She stepped out in a sleeveless charcoal-gray minidress with a boat neckline, a look that managed to be both understated and completely striking. The metallic silver ankle-strap heels did most of the talking, catching the flashbulbs with every step, and she kept the jewelry minimal — which, for the record, is exactly how you do it when the dress is already working that hard.

Her husband, Colin Jost, was right there beside her, and the two posed together on the carpet like the low-key power couple they’ve been for years now. They’re never the showiest pair in the room, but there’s something about the way they carry themselves — relaxed, genuinely amused by the circus around them — that makes them one of Hollywood’s most likable duos. Scarlett beaming, Colin in his element cracking the occasional grin at the cameras. You know the vibe.

Adam Driver, meanwhile, went with a sharp gray suit and a single-breasted jacket. No fuss, no flash — classic Driver. And Miles Teller opted for a light-gray double-breasted suit, accessorized with a Tag Heuer watch that probably cost more than most people’s cars. The two actors posed together for the cameras, and it’s fair to say the film’s leading trio photographs extremely well as a unit.

Writer-director James Gray was also in attendance, as you’d hope for the man who actually made the thing. But before we get into the film itself, let’s talk about why this premiere matters. Opening night at the New York Film Festival is a genuine honor — it’s the slot that sets the tone for the entire two-week run, and it tends to go to films the programmers believe in most. Paper Tiger having its North American moment here, fresh off its world premiere at Cannes earlier this year, says a lot about where Neon and the festival both think this movie is headed.

What Paper Tiger Is Actually About

So what’s the movie? Per Neon’s official description, Paper Tiger is a “deeply felt and intense drama” about two brothers who get pulled into a scheme that looks too good to be true — and then, as these things tend to go, discover just how dangerous the Russian mafia can be when family bonds start to fray with, quote, “life-altering consequences.”

Gray is no stranger to crime stories with emotional weight. The man made his name with 1990s and 2000s pictures like Little Odessa and We Own the Night, both of which dealt with crime, family, and the kind of moral rot that seeps into ordinary people. Then he branched out — The Lost City of Z, Ad Astra, Armageddon Time — but he’s always been a filmmaker who takes genre seriously rather than treating it as a costume to dress up in. A Gray crime drama is never just a crime drama. It’s about loyalty, betrayal, and the price of wanting more than you’ve got.

The casting here is genuinely inspired, too. Driver and Teller as the two brothers is one of those pairings that sounds odd on paper and then makes complete sense when you think about it for five seconds. Both actors have that combustible, tightly wound quality. Driver, in particular, has spent the better part of a decade proving he’s one of the most interesting leading men of his generation — from Kylo Ren’s wounded villainy in the Star Wars sequel trilogy to his heartbreaking turn in Marriage Story, he’s got range most actors would kill for.

Teller’s career has had its own fascinating arc. Whiplash made him a critical darling at 27, playing the drummer whose ambition borders on self-destruction. Then came a few years of uneven choices, before Top Gun: Maverick turned him into a bona fide box-office player all over again as the cocky, scene-stealing Rooster. Seeing him go toe-to-toe with Driver under Gray’s direction is the kind of thing cinephiles get excited about.

Scarlett Johansson’s Very Big Year

And then there’s Johansson, who — let’s be honest — has been on an absolute tear. It’s easy to forget that she started as an indie darling (Ghost World, Lost in Translation — an actual masterpiece, no notes) before becoming one of the biggest movie stars on the planet as Black Widow in the Marvel Cinematic Universe. Two Oscar nominations in a single year for Marriage Story and Jojo Rabbit. A career spanning three decades. And she keeps finding interesting work instead of just coasting on the franchise paychecks.

Paper Tiger isn’t even her only big project making waves. She’s also lined up for Ari Aster’s mysterious new A24 film Scapegoat, which has been stacking its ensemble with names like Jacob Elordi, Jude Law, and most recently Fallout star Ella Purnell. The woman’s calendar is full, and she’s choosing the kind of auteur-driven projects that suggest she’s thinking about legacy, not just salary. You love to see it.

Her appearance at the Paper Tiger premiere doubled as a press event, too — the stars also attended a press conference earlier on Friday, doing the rounds for the film ahead of its November release. That’s the festival game: premiere, press, photos, repeat. And Johansson, a veteran of a thousand premieres, handled it like the pro she is.

The Carpet Looks, Rated by Nobody Who Matters

Let’s get to the part everyone actually reads these things for: the fashion.

Johansson’s charcoal minidress was the standout of the evening, and not just because she’s Scarlett Johansson. There’s an art to a simple dress done perfectly — the boat neckline, the sleeveless cut, the way it fell just above the knee. She looked like she was having fun with it, which is more than you can say for most red carpet appearances where the star looks like they’re being held together by tape and prayers.

Driver kept things classic in his gray suit. The man is six-foot-two and built like he could genuinely ruin your day, so honestly, he doesn’t need a lot of help from his tailor — but the tailoring was good anyway.

Teller’s light-gray double-breasted suit was the most fashion-forward of the three looks, and the Tag Heuer on his wrist added a nice touch of old-Hollywood polish. Say what you want about celebrity watch sponsorships, the man wore it well.

Also worth a mention: the rest of the carpet. Page Six’s gallery showed a solid turnout — Marco Perego-Saldaña, a whole lineup of well-dressed attendees — because opening night at NYFF is one of those events where people actually bother to dress up. No jeans-and-sneakers chaos here.

When Can You Actually Watch Paper Tiger?

The good news: you won’t have to wait long. After its world premiere at Cannes and its New York Film Festival bow, Paper Tiger is getting a limited theatrical release on November 13, followed by a nationwide expansion on November 20. Neon is handling distribution, and they’re clearly positioning this as a prestige play heading into awards season.

That timing — mid-November — is no accident. It’s the sweet spot for films hoping to ride festival buzz into year-end critics’ lists and, potentially, awards conversations. Driver has been in the Oscar conversation before for Marriage Story. Johansson has been there twice. Gray’s films have been criminally under-recognized by the Academy over the years, but a well-received crime drama with three major stars landing right in the heart of awards season is exactly the kind of package that gets attention.

The early word will start filtering out of NYFF in the coming days, and if the festival audience responds the way Cannes attendees reportedly did, expect Paper Tiger to be one of the more talked-about fall releases. At the very least, it’s got the kind of cast that makes you pay attention before you’ve seen a single frame.

Because here’s the thing: movies like this — original, star-driven, directed by an actual auteur — are increasingly rare in a landscape dominated by franchises and sequels. Paper Tiger has no cinematic universe attached. No post-credits scene. Just three excellent actors, a director who knows what he’s doing, and a story about brothers getting in way over their heads with the Russian mob. Sometimes that’s all you need.

Friday night’s premiere was a reminder of what the New York Film Festival does best: put serious films in front of serious audiences, with serious movie stars in attendance. Johansson, Driver, and Teller delivered on the carpet. Now it’s the movie’s turn.

When is Paper Tiger released? Limited release November 13, 2026, expanding nationwide November 20, 2026. Mark your calendars.


Source: Just Jared

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